Once I have the keel of a book, it’s time to build the story around it. I do that with a sequence of set-pieces.
In Hollywood, a set-piece is a block of action: a car chase perhaps, or a meet cute (where two people who will eventually become lovers meet in an unusual way, often leading to an initial clash of personalities). But when I’m writing, I use the term more loosely. I think of a set-piece as a sequence of one or more scenes that all take place in the same general setting.
For example, the initial set-piece for They Promised Me The Gun Wasn’t Loaded is a block of scenes all taking place at Waterloo Regional Airport. In the final version of the book, the lead character (named Jools) moves between various places in the airport—from a plane to the tarmac, to a luxury lounge, to a baggage handling area, then back to the lounge—but my initial plan for the book just said AIRPORT.
My plan also had a list of things that should take place at the airport. I wanted to introduce Jools and her world for people who hadn’t read Book 1, and to demonstrate various aspects of her character and her abilities. I also wanted to introduce several new characters, re-introduce old ones, and hint at major players in the action to come. I definitely wanted to show the super-weapon that everyone will be fighting over throughout the book (as specified in the keel). Finally, I wanted a superpowered fight that would cause mega-damage, because what’s the point of writing about superheroes without mass destruction?
My initial plan didn’t have a lot of detail or a through-line of the action. It was just a list, pretty much unsorted, of people and points that should be covered before Jools left the airport. The list included a lot of cool stuff I might throw in (as generated during brainstorming). However, I didn’t cast anything in stone, and there was quite a lot of hand-waving.
For example, the book features a modern day Robin Hood and his gang: they may be villains or not, but they want their hands on the super-weapon. So my plan called for one of Robin’s gang to appear at the airport and try to steal the weapon. However, I didn’t bother deciding what the would-be thief was like. I could come up with that later. Maybe some other set-piece would require a particular type of “Merry Man” and I could backfill the same character into the airport action. Or I could leave things undecided and dream up someone entertaining during the actual writing.
I like to leave openings like that in my plans. If I nail down too much in advance, writing the book becomes boring and forced.
So the first set-piece was AIRPORT. I continued on with the other set-pieces of the book, each placed in a different setting, to ensure an appropriate degree of variety during the course of the novel. (Other set-pieces included UNIVERSITY LAB, MEMORIAL SERVICE, and several different blocks of action in SHERWOOD FOREST. Read the book and find out how it all goes together!)
But let me point out that my initial plans for set-pieces are mainly external. For each set-piece I want a setting, a few plot elements, and which characters may be present. But I don’t think about the internal aspects of characters. I leave that for the next phase of planning: establishing character development arcs. I’ll talk about those next time.
[The photo of the airport and airplane is of RGIA Airport in Hyderabad, India. It was taken by Abhinay6597 [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0%5D, from Wikimedia Commons. It is definitely not Waterloo Regional Airport.]